There’s No “Right Lens” — Only the Lens That Fits Your Vision

I’ve recently been spending more time on Reddit, and one question pops up constantly: “What’s the right lens I should get?” It comes from beginners, landscape shooters, wildlife enthusiasts, sports fans—you name it. And honestly, the question still puzzles me.

For any specific photo, sure, there’s a set of lenses that can technically recreate it. If I want to zoom in on the pattern of a zebra while sitting in a safari vehicle, I’ll probably need something in the 500mm+ range. If I’m outside a zoo enclosure, 100–200mm might be enough. If I want to capture a sweeping landscape, 24mm or wider makes sense.

In other words: for a particular shot, there are lenses with the right focal length and aperture to achieve that look.

But the moment you broaden the question—“What lens should I get for landscape?” or “What’s the best lens for sports?”—the idea of a single “right” lens falls apart.

Take landscape photography. Yes, wide‑angle lenses are common. But I’ve seen (and taken) incredible landscapes at 100mm. A 24mm lens isn’t more “correct” than a 100mm lens. The difference isn’t right or wrong—it’s vision.

And constraints often spark creativity. If all I have is a 50mm lens at a sporting event, I won’t be zooming in on the players. But I can photograph the atmosphere, the fans, the environment, the moments happening around the action. A limitation becomes a new direction.

So yes—there are lenses that are technically appropriate for a specific photo. But for most genres of photography, there is no universally “right” lens. There’s only the lens that helps you express the way you see.

If you enjoyed this post, I'd love for you to stick around! You can find more tutorials/stories/tips like this one over on the blog, or head over to my Etsy shop to see the handmade pieces that inspired it. If it made your day a little better, a like or share means the world and helps more people find me. Thanks so much for reading — I'll see you in the next post!
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Why I Don’t Chase the “Perfect Shot” — And Why My Photography Is Better for It

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